My newest book, five-plus years in coming, based on this blog, is now a reality. It’s available on Amazon in paperback (e-book to come).
Here are some details:
Speakers and writers of American English don’t have to know how to diagram sentences or write grammatically perfect sentences at all times, but we should aim for a solid grasp of the basics of good usage, syntax, and punctuation—what teachers and copyeditors call the “mechanics” of English, or simply “Standard Written English.” Our goal should be to communicate in writing more clearly, concisely, coherently, and correctly.
Liberally lacing Whatever Happened to English? with practical grammar, usage, and punctuation tips and examples, often with a humorous edge, the author includes nearly one hundred essays of varying lengths—from a single paragraph to several pages. Approximately half of these essays originally appeared in The Dean’s English blog. The other half are brand new. The book is organized into these chapters:
Whatever Happened to English?
A Grammar Miscellany
Fun with Words
A Dean’s English Potpourri
English at the Holidays
Whatever Happened to English? is for writers as young as middle school and as old as Methuselah.
Constance Hale provides one of the most thorough treatments of verbs I’ve read.* The book is aimed at writers, both novice and experienced, and unless you hold a PhD in English composition, you will learn something useful to make your writing better. Do you know all about verb tense, mood, and voice? How well do you understand participles, gerunds, irregular verbs, and phrasal verbs? Do you know why these things matter—and they do matter—and how mastering them will help your writing shine brighter? Hale’s book provides the answers.
The title is a bit awkward (try saying it three times fast!)—I think “Let Verbs Power Your Writing” by itself would have been just fine—but “vex,” “hex,” “smash,” and “smooch” provide the framework around which Hale organizes each chapter, and the scheme works pretty well. At times she ventures into murky waters where even she may be out of her depth. For example, I’m still scratching my head at how “tight-fisted” is a past participle (instead of an adjective), as she asserts on page 224. But for the most part, she’s spot on. She includes many examples from real life and literature to illuminate the concepts, along with plenty of endnotes and an extensive bibliography to warm the hearts of readers who care to dig deeper.
I highly recommend this book to writers, wannabe writers, copyeditors, and students (high school and college), and I know that I’ll regularly pull it off my bookshelf to consult for my own writing. Δ
*Constance Hale, Vex, Hex, Smash, Smooch: Let Verbs Power Your Writing (New York: W.W. Norton & Company, 2012).